Year: 2000
Genre: Drama
Directed: Jim
McKay
Stars: Melissa
Martinez, Anna Simpson, Kerry Washington, Marlene Forte, Raymond Anthony
Thomas, Rosalyn Coleman, Carmen Lopez, Tyrone Brown, Lorraine Berry, Natasha
Frith, Chuck Cooper
Production: IFC
Our Song is
by today’s standards a precious little indie movie. It’s clumsy, somewhat
cheap-looking, strives for the cinema verite blend of social awareness but
can’t help but betray its own sense of realism with predictable Hollywood
story-beats. Yet when Our Song came out in the year 2000, it must have been
something of revelation. Lest we forget that when filmmakers dared to focus on
the urban POC experience in earnest, the films largely aimed the lens at
masculine subject matter. Boyz ‘N the Hood (1991), Menace II Society (1993),
Gridlock’d (1997), by comparison the only thing young black women had to latch
onto was A Different World (1987-1993).
Well, that and Sister, Sister (1994-1999) |
Enter music
video director Jim McKay, whose one-two punch of Girls Town (1996) and Our Song
explored the complex and grounded worlds of young black women, as they formed
friendships, experimented with boys, confronted forms of oppression and
otherwise forged their own identities, under the backdrop of urban decay. At
least those films did so as well as a white director could explore those themes
without coming across as flaccid or worse out of touch and paternalistic.
Like some movies... |
Our Song is
the better of the two. In it, three Brooklyn teens, all members of the elite
Jackie Robinson Steppers Marching Band, try to hang onto each other as pillars
of support before their school closes for asbestos removal. Lanisha (Washington)
the one with the most stable family life, i.e. divorced parents on relatively
good terms, realizes early on that the other two are taking divergent paths.
Joycelyn (Simpson), takes a job at a local boutique and befriends the older
girls working there, while Maria (Martinez) battles with the complex emotions
that come with an unexpected pregnancy.
It’s easy to
see how this kind of mix of after-school-special clichés could have gotten
Novel by Sapphire (2009) real quick. Yet little in the film really transpires
like you think it will. It’s a true example of characters balancing their
resolve and opportunities (or lack thereof), hiding their vulnerabilities,
leaning on each other while realizing they all will just have to depend less
and less on each other over time. It’s just a part of growing up.
Our Song
focuses almost exclusively on the aspect of growing pains and as a result the
audience is compelled by the meta-narrative to think about times people in your
life drifted away. I myself can recall several occasions over the course of my
life when the one thing that formed close bonds suddenly ceased to be a la high
school, soccer, a move to a different town.
A little confrontation goes a long way... |
Yet one can’t
help but wish the film didn’t trim so much fat from the process. Many of the
subplots build towards some kind of confrontation. Much ado is made about
Maria’s secrecy towards her mother (Lopez), a point that is juxtaposed by
Lanisha’s relationship with her own parents. Yet nothing ever really comes of
this other than Maria shrugging off her mom’s realization that the school is
closing. Likewise Joycelyn’s departure from the group is given the promise of a
confrontation but it never arrives.
Of course
these concerns are beside the point given that the film is about drifting
apart, not clashing together. While it’d be nice to get a sense of closure from
a movie that wouldn’t be hurt by it, the truth of the matter is Our Song is
true to form. Much like friendships formed in high school, the film ends and
you’re not exactly sure how or why but there’s definitely a lump in your
throat.
Our Song is
maybe a little dated and may be a bit too concerned with its dressed-down style.
Yet its message and its personality shine through. Its earnestness is almost
certainly a virtue, especially considering it explores the foibles of a
population that rarely gets attention in cinema. Our Song may not be my
favorite coming-of-age film but it’s certainly someone’s.
Final Grade:
B-
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