Genre: Drama
Directed: Jean-Jacques Annaud
Stars: Jacqus Spiesser, Jean Carmet, Jacques Dufilho, Catherine Rouvel, Maurice Barrier, Benjamin Memel Atchory, Peter Berling, Marius Beugre Boignan, Claude Legros, Dora Doll, Baye Macoumba Diop, Jacques Monnet
Production: France 3 Cinema
Black and White in Color is a 1976 film about the unctuous specter of war and its curious effects on the small African colonial community of Fort Coulais. The white colonists of the town largely consists of wholesale merchants the Rechampots (Dufilho, Legros and Doll), the sexually frustrated Simon's (Monnet and Rouvel), two bumbling Catholic priests (Berling and Boignan), a permanently drunk sergeant (Carmet) and young geographer Hubert (Spiesser). It is through a care package sent to Hubert that the townsfolk discover France has been at war with Germany for a little over a month and in a patriotic fervor decide to take on the nearby settlement in German Togoland. To do this however they must coop the large black population.
Jean-Jacques Annaud |
There are times when the light-hearted humor threatens to sabotage the themes of the story from within. Thankfully we have the character progression of the young Hubert Fresnoy who at first seems the least enthused about battling the Germans. As the only learned member of the colonists, Hubert reluctantly leads the defense of Fort Coulais and the Sisyphean task of taking the neighboring German settlement. When we first meet him, he's drafting a letter to a school friend. In it he writes "I dare say, that in many respects the natives are not far from meriting the honored name of men," pitting him as the most enlightened of his compatriots. Yet war takes a toll on idealists as both Hubert and the audience come to realize. A toll that might just rob him of his humanity.
Classic case of a Napoleonic-complex |
What's ultimately missing from Black and White in Color is serious input from the locals themselves. Shot entirely in Cote d'Ivoire, the film feels like a satirical screed on war, religion and colonialism which, while well argued, nevertheless feels like it could have used at least one strong black character. Assomption gets a moment to shine as he gatekeeps for Hubert but we never get to really see the horrors of war up close from the subjugated perspective; from the soldier's perspective. So many men die as a result of hostilities yet the film's preoccupation with the white settlers blunts what could have made for a more damning film.
Thankfully, Jean-Jacques Annaud's clever direction and a few choice satirical images sure to stick with you make Black and White in Color worth a gander. Sure it might be plagued with one too many "white-guilt chic" moments, but at least you know it's heart is in the right place.
Final Grade: B-
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