Year: 2017
Genre: Animated Comedy
Directed: James McGrath
Stars: Alec Baldwin, Miles
Christopher Bakshi, Jimmy Kimmel, Lisa Kudrow, Steve Buscemi, Tobey Maguire,
James McGrath, Conrad Vernon, ViviAnn Lee, Eric Bell Jr., David Soren
Production: DreamWorks Animation
“Put the cookie down! Cookies are
for closers.” It seems this entire movie is created around that one joke. I
mean, has there ever been any question that anyone other than Alec Baldwin
could have sold the high concept of a cutthroat, suit wearing, and management
oriented baby? What other voice would have struck the right balance between referentially
satisfying and patently absurd? Gary Cole?
If you could get me that binkie by EOD, that'd be great... |
Of course the film’s reference to Baldwin’s
character in Glengarry Glen Ross (1992)
is twenty-five years old and at times that’s how stale some of the film’s gags
feel. Luckily for the movie and its intended audience, the premise is grounded
in its sweetly irreverent narrative told from the perspective of a
seven-year-old boy.
Timmy (Bakshi) is a stereotypical
cartoon movie child. He’s precocious, easily identifiable, humorously naïve,
charismatic and imaginative to the point of coming up with elaborate hijinks on
the fly to further the plot. In fact, the only difference between him and
Elliott from E.T. (1982) is he
actually gets all the attention he craves from his doting parents (Kimmel and
Kudrow), complete with a regular five story, four hug and one song bedtime
special. That is until The Boss Baby (Baldwin) arrives with his briefcase full
of memos on a mission from the aptly named Baby Corp. After a time squabbling,
Timmy and the Boss Baby team up to uncover a mass conspiracy involving their
parents’ employer, a late addition villain (Buscemi) and puppies who have apparently
been stealing all the love.
The inner-mechanics of Boss Baby’s
world is riddled with holes, pacing issues and confusion but because the entire
story is being told by an adult Timmy (Maguire) recollecting his interpretation
of events, it never seems to matter. It rather allows the film to truly revel
in some creative slapsticky moments of goofy fun young children are primed to
enjoy. There are plenty of Loony Tune-esque chase sequences, quickly-paced
flights of fancy, playful sight-gags and plenty and I mean plenty of butt
related jokes. It may prove a little repetitive for attentive parents but
considering the prime demographic is going to be darting back and forth between
bathroom-breaks it’s not like parents of young children will mind.
Of course telling the entire yarn
from Timmy’s POV proves a double-edged sword at times. The film goes through
great pains to deliver the stakes needed to elevate its one-joke premise. But
since the emotional arc of the story is all but written in stone from the first
act, all of the tension feels hollow and redundant. We’re seeing what amounts
to a holiday free A Christmas Story (1983)
with a talking baby. Yet while that movie ruminates on “an interesting
Christmas” this movie asks; “will our two heroes wind up being brothers.”
Spoiler Alert: They do. |
I f**king dare you! |
Bereft of any real consequence, The
Boss Baby winds up being a mildly entertaining family-oriented feature with a
couple of good sigh-gags and some pretty outdated jokes. The larger message is
just uncommon enough for tacit approval though I’m a little worried some kids
might figure out alternative uses for baby bungee bouncers. As a younger
brother myself I’m surprised I lasted this long with my siblings in the house.
Final Grade: C
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