What We Do in the Shadows

Year: 2014
Genre: Horror Comedy
Director: Jermaine Clement, Taika Waititi
Stars: Jermaine Clement, Taika Waititi, Jonathan Brough, Cori Gonzalez-Macuer, Ben Fransham, Jackie Van Beek, Stuart Rutherford
Production: Unison Films, Funny or Die

Vampires, like most Gothic horror monsters have gotten a very infamous reputation. A reputation which has lasted over a millennia. They have been pegged as evil, blood-thirsty villains; soiling the innocence of all who become victim to their blood-lust. What's worse is within the last two decades their standing has changed to much more humiliating status; that of the romantic lead. Yes, we can all agree Twilight (2008) was a blight on the world but you can't deny the YA series' made an impact. Plus there were the better received True Blood (2008-2014) and Vampire Diaries (2009-now) which, for better or for worse, reformed Dracula's personal image. Between misanthropic movie monster and hunky boyfriend of the undead, is there maybe a better, more sympathetic portrayal out there for the besieged blood-sucker?

Probably not.

We're normal, nothing to see here...

What We Do in the Shadows involves the semi-normal life of four vampires who have made New Zealand their new home. In-between feedings, Viago (Waititi), Vladislav (Clement), Deacon (Brough) and Petyr (Fransham) have to deal with the common trials of being flatmates. Such trials include dividing up the chores via chore wheel, juggling their active social lives and avoiding run-ins with vampire slayers, local werewolves and a mysterious creature known only as "The Beast". Their biggest obstacle is modernizing to the 21st century, a task that is helped by new friends who tip the balance of their creepy, decrepit home.

Co-written by half of Flight of the Conchords and given a mockumentary style, What We Do in the Shadows is the funniest movie you're likely to see this year. It's bolstered by goofy, self-deprecating performances and cheap yet seamless special-effects. Special mention should be given to Waititi's fussy performance as an Interview with a Vampire (1994) knock-off with an Eastern European accent. He becomes the center and voice of reason amid a growing group of rowdy undead friends and despite having the straight-man role, his nit-picking most often had me at medium giggle. The belly laughs however came from Clements's Vlad, designed to look like Dracula circa 1992. His one-liners showed a depth of skill when it comes to improvisation which hasn't seen a screen near me since Flight of the Conchords (2007-2009) ended its run on HBO. As far as mockumentary, What We Do in the Shadows matches This is Spinal Tap (1984) and Drop Dead Gorgeous (1999) chuckle by chuckle, perhaps more so.

I still say this movie is a classic! A Classic I say!

Along with being incredibly rich territory for situation-comedy, What We Do in the Shadows brings up some grounded if unconsidered questions about living with eternity. We all get older so we naturally struggle to keep up with the "next big thing," so what happens when a three-hundred-year-old man attempts to enter Wellington's most popular club dressed like an 18th century dandy? What happens the first time they use a cellphone or a computer? These aren't the chiseled, pristine vampires of Twilight; no these guys can't even use a mirror and are forced to draw each other to conceive what they look like. There's no way these guys have the sensibilities to make it in today's world. At least not without a lot of help and hilarity.

Hilarious

As with all movies that adapt the mockumentary format, there are some drawbacks. There's some pretty cheap production design here and due to the subject matter most scenes are shot at night (duh!). This kind of budget is not helped by a flat aspect ratio and single-setup, point-and-shoot-type camera work. Thankfully there are enough consistently funny gags that keep the film light on its feet even if the supposed documentary crew are not.

What We Do in the Shadows may not help vampires reclaim the staple horror movie villain image we grew up with and took for granted. I personally yearn for Nosferatu to jump out of the shadows and give the floozies of True Blood a run for their money. I suppose all things must go through reinvention and renewal. Modernizing overall is a positive force is it not? If for no other reason than we get fun little experiments like this Kiwi comedy classic.

Though sometimes modernizing is a terrible idea

Final Grade: B