Year: 1937 (USA)
Genre: Drama/Family Drama
Directed: Leo McCarey
Stars: Victor Moore, Beulah Bondi, Fay Bainter, Thomas Mitchell, Porter Hall, Barbara Read, Maurice Moscovitch, Elisabeth Risdon, Minna Gombell, Ray Mayer, Ralph Remley
Production: Paramount Pictures
During Leo McCarey’s acceptance speech for the Academy Award for Best Director he walked up and thanked the Academy then said “…you gave it to me for the wrong picture.” The picture he won the prize for was The Awful Truth (1937) which was also nominated for Best Picture, Best Actress, Supporting Actor and Writing. The movie he claimed he should have won for was Make Way for Tomorrow (1937) which got a big goose egg that year. Since 1937, Make Way for Tomorrow has grown in stature to become one of the most revered American movies and certainly among the best films depicting melancholy in old age.
Genre: Drama/Family Drama
Directed: Leo McCarey
Stars: Victor Moore, Beulah Bondi, Fay Bainter, Thomas Mitchell, Porter Hall, Barbara Read, Maurice Moscovitch, Elisabeth Risdon, Minna Gombell, Ray Mayer, Ralph Remley
Production: Paramount Pictures
During Leo McCarey’s acceptance speech for the Academy Award for Best Director he walked up and thanked the Academy then said “…you gave it to me for the wrong picture.” The picture he won the prize for was The Awful Truth (1937) which was also nominated for Best Picture, Best Actress, Supporting Actor and Writing. The movie he claimed he should have won for was Make Way for Tomorrow (1937) which got a big goose egg that year. Since 1937, Make Way for Tomorrow has grown in stature to become one of the most revered American movies and certainly among the best films depicting melancholy in old age.
Victor Moore and Beulah Bondi star as Barkley and Lucy Cooper, an elderly couple who despite a lifetime of happiness and five children to prove it, are in dire straights. Their home is in foreclosure due in no small part by the depression. They summon four of their five children and try to come up with a game plan deciding that Barkley is to move in temporarily with Cora (Elisabeth Risdon) their impatient daughter in town while Lucy lives with eldest son George (Thomas Mitchell) and wife Anita (Fay Bainter) in his
Then things get testy |
The film doesn't demonize the children who push their
parents out of their lives for various reasons. One can easily identify with
one or more of the kids due to the exemplary acting on the part of Thomas
Mitchell, Elisabeth Risdon, Minna Gombell and Ray Meyer. They have their own
problems both financial and social which are further complicated by the
parents. Anita helps support her family by teaching bridge to socialites yet
finds her young daughter running off with older men. In an effort to form trust
with her granddaughter, Lucy keeps her social life a secret which
understandably insights Anita to say, “What right have you to keep secrets
about my daughter from me?”
Then this happened |
Living in a culture that values the young, the new and the
adaptive over the old, it’s easy to see how this movie may one day disappear
into the ether; even if it was submitted into the Library of Congress’s
National Film Registry. Like it’s characters, the film was out of step for its
time and likely even more so with today’s hustle and bustle. At least the
aforementioned and immortalized Tokyo
Story was released by a culture that dichotomizes old vs. new instead of
shoving its aged things onto the proverbial ice flow like we do. Hopefully with
our median population getting ever older we’ll reach an understanding where the
elderly achieve a little more dignity than decades past. If not, I suppose
there are pleasant things to be said about making way for tomorrow.
Yes make way and quickly baby boomers! |
Final Grade: A-
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