Wednesday, March 5, 2014

Make Way for Tomorrow

Year: 1937 (USA)
Genre: Drama/Family Drama
Directed: Leo McCarey
Stars: Victor Moore, Beulah Bondi, Fay Bainter, Thomas Mitchell, Porter Hall, Barbara Read, Maurice Moscovitch, Elisabeth Risdon, Minna Gombell, Ray Mayer, Ralph Remley
Production: Paramount Pictures


During Leo McCarey’s acceptance speech for the Academy Award for Best Director he walked up and thanked the Academy then said “…you gave it to me for the wrong picture.” The picture he won the prize for was The Awful Truth (1937) which was also nominated for Best Picture, Best Actress, Supporting Actor and Writing. The movie he claimed he should have won for was Make Way for Tomorrow (1937) which got a big goose egg that year. Since 1937, Make Way for Tomorrow has grown in stature to become one of the most revered American movies and certainly among the best films depicting melancholy in old age.



Victor Moore and Beulah Bondi star as Barkley and Lucy Cooper, an elderly couple who despite a lifetime of happiness and five children to prove it, are in dire straights. Their home is in foreclosure due in no small part by the depression. They summon four of their five children and try to come up with a game plan deciding that Barkley is to move in temporarily with Cora (Elisabeth Risdon) their impatient daughter in town while Lucy lives with eldest son George (Thomas Mitchell) and wife Anita (Fay Bainter) in his Manhattan estate. Of course as the temporary situation becomes…less temporary, the couple long for each other while the kids look to move them out.
Then things get testy
 Make Way for Tomorrow is arguably the saddest movie ever made; certainly the most tragic of the 1930’s. It isn’t a classically tragic story like “Oedipus” but a subdued, somber film that gently settles into its wistful conclusion. I say this without caution. Those who feel that cinema provides much more than idle entertainment and happy feelings should waste no time in watching this absolute gem. It brings to mind the classic Tokyo Story (1953) and the recent Amour (2012) in its touching yet unsentimental portrayal of the elderly.
Sometimes frightfully unsentimental
The film doesn't demonize the children who push their parents out of their lives for various reasons. One can easily identify with one or more of the kids due to the exemplary acting on the part of Thomas Mitchell, Elisabeth Risdon, Minna Gombell and Ray Meyer. They have their own problems both financial and social which are further complicated by the parents. Anita helps support her family by teaching bridge to socialites yet finds her young daughter running off with older men. In an effort to form trust with her granddaughter, Lucy keeps her social life a secret which understandably insights Anita to say, “What right have you to keep secrets about my daughter from me?”
Then this happened
 Yet while we as the audience can identify with the children and their own myriad of problems, we know the couple is left with little prospects for the future. The final elongated day-walk through New York City is a particularly bittersweet fifteen minutes. The couple walk hand-in-hand, being provided niceties by strangers who find their love quaint and adorable. Yet while their long-awaited day together is joyous, deep in their minds is the thought that they’re still separated and likely to be so for the rest of their lives.


Living in a culture that values the young, the new and the adaptive over the old, it’s easy to see how this movie may one day disappear into the ether; even if it was submitted into the Library of Congress’s National Film Registry. Like it’s characters, the film was out of step for its time and likely even more so with today’s hustle and bustle. At least the aforementioned and immortalized Tokyo Story was released by a culture that dichotomizes old vs. new instead of shoving its aged things onto the proverbial ice flow like we do. Hopefully with our median population getting ever older we’ll reach an understanding where the elderly achieve a little more dignity than decades past. If not, I suppose there are pleasant things to be said about making way for tomorrow.
Yes make way and quickly baby boomers!

Final Grade: A-

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